| Tonträger |
Werk |
Zeit |
|
CAPRICCIO
LC 08748
Best.Nr C8016
|
| |
Jules Massenet
Ballett-Suite “Cendrillon”
(II.) Les filles de noblesse
Academy of St Martin in the Fields
Neville Marriner
1994
|
02:10 |
|
Archiv Produktion
LC 00113
Best.Nr 486 2063
|
| |
Joseph Haydn
Divertimento F-Dur Hob. XIV:9
III. Finale. Allegro molto
Ton Koopman, Cembalo, Reinhard Goebel, Alda Stuurop, Violine Charles Medlam, Violoncello
Haarlem, 1981
|
02:25 |
|
BONGIOVANNI
LC 05088
Best.Nr GB 1077-2
|
| |
Umberto Giordano
“Fedora”
“Amor ti vieta”
Daniele Barioni, Tenor (Loris)
Orchestra di Torino della RAI
Ottavio Zino
1962
|
02:05 |
|
Deutsche Grammophon
LC 00173
Best.Nr 486 4567
|
| |
Isaac Albeniz
“Iberia”
Lavapiés
Yuja Wang, Klavier
Wien, 2022, “The Vienna Recital”
|
05:46 |
|
NONESUCH
LC 00286
Best.Nr 7559-79177-2
|
| |
John Adams
“Nixon in China”, 2. Akt
Beginning und “Look down at the earth"
Carolann Page, Sopran (Pat Nixon)
Chorus, Orchestra of St. Luke’s
Edo de Waart
(P) 1987
|
07:17 |
|
Klarthe
Best.Nr K104
|
| |
George Crumb
Thirteen images from the Dark Land for Electric String Quartet
I. Threnody I: Night of the Electric Insects II. Sounds of Bones and Flutes
Quatuor Ardeo
2020
|
02:18 |
|
CHANDOS
LC 07038
Best.Nr CHAN 8507
|
| |
Johann Nepomuk Hummel
Klavierkonzert Nr. 3 h-Moll op. 89
II. Larghetto
Stephen Hough, Klavier
English Chamber Orchestra
Bryden Thomson
|
07:53 |
|
Deutsche Grammophon
LC 00173
Best.Nr 483 7888
|
| |
Richard Strauss
Don Quixote op. 35 (Anfang)
Enrico Mainardi, Violoncello
Staatskapelle Berlin
Richard Strauss
|
07:53 |
|
Schweizer Fonogramm
LC 91357
Best.Nr SF0016
|
| |
Olena Tokar, Sopran (Delilah) etc.
Berner Symphonieorchester
Philippe Bach
“Samson”, 1. Akt
Beginn
Joachim Raff
2023
|
06:42 |
|
CAvi-music
LC 15080
Best.Nr 8553037
|
| |
Camille Saint-Saens
Sonate für Fagott und Klavier G-Dur op. 168
I. Allegretto moderato
Theo Plath, Fagott, Aris Alexander Blettenberg, Klavier
2019, “Lost Times”
|
02:37 |
|
Oiseau-Lyre, l'
LC 00254
Best.Nr 452 563-2
|
| |
John Dowland (Text: Robert Dowland) (Trans. Peter Stroud)
A Musical Banquet
X. In darkness let me dwell
Martyn Hill, Tenor
The Consort of Musicke
Anthony Rooley
|
04:24 |
|
Decca
LC 00171
Best.Nr 485 1630
|
| |
Sergei Rachmaninoff
Cello-Sonate op. 19
II. Allegro scherzando
Sheku Kanneh-Mason, Violoncello, Isata Kanneh-Mason, Klavier
(P) 2021 “Muse”
|
06:03 |
|
EMI CLASSICS
LC 06646
Best.Nr 2 64182 2
|
| |
Marc-André Dalbavie
Klavierkonzert
III.
Leif Ove Andsnes, Klavier
Symphonieorchester des Bayerischen Rundfunks
Franz-Welser Möst
(P) 2009
|
03:37 |
|
Decca
LC 00171
Best.Nr 475 9392
|
| |
Giacomo Puccini
“Madama Butterfly”, 1. Akt (Schluss)
“Vogliatemi bene”
Renata Tebaldi, Sopran (Cio-Cio San), Carlo Bergonzi, Tenor (Pinkerton)
Orchestra dell’Academia di Santa Cecilia, Roma
Tullio Serafin
1958
|
07:56 |
|
Brilliant Classics
LC 09421
Best.Nr 6488/4
|
| |
Bela Bartok
Romanian Folk Dances
I. The Stick Dance II. Round Dance III. In One Spot
Hungarian State Symphony Orchestra
Iván Fischer
1990
|
03:25 |
|
CHANDOS
LC 07038
Best.Nr CHSA 5084
|
| |
Jules Massenet
Valse folle
Jean-Efflam Bavouzet, Klavier
|
02:32 |
|
Hamburger Archiv für Gesangskunst
Best.Nr 30205
|
| |
Gerd Natschinski (Text: Helmut Bez & Jürgen Degenhardt)
„Mein Freund Bunbury“
„Ein bißchen Horror und ein bißchen Sex“
Gisela May (Lady Bracknell)
Großes Rundfunk-Orchester Berlin
Gerd Natschinski
1964
|
02:49 |
|
Hamburger Archiv für Gesangskunst
Best.Nr 30205
|
| |
Gerd Natschinski (Text: Helmut Bez & Jürgen Degenhardt)
„Mein Freund Bunbury“
„Mein Freund Bunbury“
Horst Schulze (Algernon), Eberhard Büchner (Jack)
Großes Rundfunk-Orchester Berlin
Gerd Natschinski
1964
|
02:32 |
|
NAXOS
LC 05537
Best.Nr 8.550615
|
| |
Anon.
Calata
Shirley Rumsey, Laute 1993
|
02:08 |
